( Doors: 7:00 pm ) SHOW: 8:00 pm PST
This event is open to all ages. All guests under the age of 18 must be accompanied by a parent, guardian, or responsible adult over the age of 25 with written authorization.
Dinner and drinks are available at our connected restaurant - West Coast Tavern. Happy hour every day from 4 pm to 6 pm. The kitchen is open until midnight every day. More information: www.WestCoastTavern.com
Parking is available at the parking structure directly across the street from us on 29th St. Your ticket fee includes validation for the parking structure, which is redeemable at the venue.
On Tides of A Teardrop, Marlin wrote the songs, as he usually does, in a sort of stream of consciousness, allowing words and phrases to pour out of him as he hunted for the chords and melodies. Then, as he went back to sharpen what he found, he found something troubling and profound. Intimations of loss have always haunted the edges of their music, their lyrics hinting at impermanence and passing of time. But Tides of A Teardrop confronts a defining loss head-on: Marlin's mother, who died of complications from surgery when he was 18.
These songs, as well as their sentiments, remain simple and quiet, like all of their music. But beneath the hushed surface, they are staggeringly straightforward. “I’ve been holding on to the grief for a long time. In some ways I associated the grief and the loss with remembering my mom. I feel like I’ve mourned long enough. I’m ready to bring forth some happier memories now, to just remember her as a living being."
For this album, Marlin and Frantz enlisted their touring band, who they also worked with on their last album Blindfaller. Having recorded all previous albums live in the studio, they approached the recording process in a different way this time. “We went and did what most people do, which we’ve never done before—we just holed up somewhere and worked the tunes out together,” Frantz says. There is a telepathy and warmth in the interplay on Tides of A Teardrop that brings a new dynamic to the foreground—that holy silence between notes, the air that charges the album with such profound intimacy. “This record is a little more cosmic, almost in a spiritual way—the space between the notes was there to suggest all those empty spaces the record touches on,” acknowledges Marlin. There are many powerful ways of acknowledging loss; sometimes the most powerful one is saying nothing at all.